The mover on the other hand, understands that chords come from scales and thereby learns to approach chording in a more fluid fashion. These vertical groups of notes are hit or struck on the instrument with no thought to creating movement. The hitter sits up and works out a couple of beautiful sounding voicings for each kind of chord (or worse, learns someone elses from a method book) and from that point on, plays them exactly the same way. Either one becomes a hitter or, one becomes a mover. There are two paths for a chord player to go down. Imagine, a system for learning jazz harmony that actually embraces the concept of improvisation. What you will find herein are the structural components, as mapped out and developed by jazz giant Barry Harris, that will guide and aid you on your own personal road to discovery. You won't come out sounding like everyone else, and that's the good news! Studying the concepts put forth in this book will not teach you a set of hip sounding voicings. Harris' chordal approach for guitarists to explore. The Barry Harris Harmonic Method For Guitar adapts Dr. Baritone Horns, Euphoniums, and Alto HornsĪlan Kingstone has studied piano great Barry Harris' educational methods since 1986 with The Howard Rees Jazz Workshop and in classes led by Barry in Toronto, New York and Rome.Speakers - Speakers & Tweeters Component.
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